A presenter's polaroid rises with a highlighted title under it, then a cut to their footage beside a graph-paper masthead where taped spec cards drop in
This is the format it was composed for. Switch above to see it lay itself out for another: same animation, re-arranged for the frame.
Everything below can be changed without touching the animation. Hand the list to an agent, or edit the values at the bottom of the component file.
First line of the title under the polaroid. Set in capitals; short, two words at most.
now: The watch
Second line of that title. One word reads best.
now: Journey
Small caption in the polaroid's bottom border, like a figure label.
now: fig 1.
First word of the masthead after the cut, in ink, with the highlighter under it.
now: Deep
Second line of the masthead, in the accent colour. The subject itself.
now: Watches
The taped cards that drop onto the sheet, first at frame 70 and the second near the end.
now: 2 items
Brand token id. Light brands with a yellow second accent are what this layout is for.
now: notebook
No Tailwind, no CSS, no asset files. Inline styles only.
An explainer channel's opening in two shots on cream stock. First a polaroid of the presenter rises into the frame, straightening out of a tilt as it fades up, with the whole frame pushing in slowly; two title lines rise under it one after the other, each straightening from a small tilt, and a yellow highlighter wipes under each. The footage in the polaroid whips to a second angle. Cut: the presenter's footage arrives from the right as a tall panel with a black outline and a hard grey offset shadow and settles on the left of a graph-paper sheet. A two-line masthead rises beside it, black over red, and a highlighter wipes under the first word. A taped spec card drops onto the sheet out of a larger, straighter, see-through version of itself, and near the end a second card lands overlapping it, tilted the other way.