MOTIONSTASH
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Aurora Statement

Kinetic type

A headline resolves out of defocus over a drifting volumetric light field, with one specular pass across the glyphs

Download preview768×432 preview render. The full-resolution file comes from running the component
5 seconds
Format

This is the format it was composed for. Switch above to see it lay itself out for another: same animation, re-arranged for the frame.

heroheadlinelight fieldfocus pullspecularpremiumgrain
What you can change · 7 settings

Everything below can be changed without touching the animation. Hand the list to an agent, or edit the values at the bottom of the component file.

  • Headline *
    headline · string

    The statement. Three to six words; this is a hero frame, not a paragraph.

    now: Built to be rendered

  • Eyebrow
    eyebrow · string

    Small tracked label above the headline. Omit for a purer frame.

    now: Motionstash

  • Kicker
    kicker · string

    One quiet line under the headline. Arrives last, after the sweep.

    now: Components that compose in time, not in space.

  • Align
    align · "left" | "center"

    Composition. 'left' with the light mass off-centre is the stronger frame; 'center' for symmetrical lockups.

    now: left

  • Intensity
    intensity · number

    How present the light field is. Below 0.4 reads as near-black; above 0.8 starts to compete with the type.

    now: 0.62

  • Sweep
    sweep · boolean

    Run a specular highlight across the glyphs once they have resolved.

    now: true

  • Brand
    brand · string

    Brand token id, one of the keys of BRANDS.

    now: signal

For developers · source, dependencies and provenance

Dependencies

remotion@remotion/shapeszod

No Tailwind, no CSS, no asset files. Inline styles only.

Source

Filesrc/registry/items/aurora-statement.tsx
Frame1920×1080
Duration150f · 5s @ 30fps

Provenance

ToolClaude Code
ModelOpus 5
Authormotionstash
LicenseMIT

Prompt

An opening hero frame for a product film. A large headline should resolve out of defocus letter by letter, as if a camera were finding focus, over a slow-drifting field of coloured light. Once the words are sharp, run a single soft specular highlight across them. Add a real vignette and film grain, and keep the whole frame on a slow camera push so it never feels locked off.