MOTIONSTASH
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Focus Pull Lines

Kinetic type

Focus racks down a stack of lines with real lens behaviour, blur, focus breathing, contrast loss and bloom

Download preview432×768 preview render. The full-resolution file comes from running the component
5 seconds
Format

This is the format it was composed for. Switch above to see it lay itself out for another: same animation, re-arranged for the frame.

typographyfocus pullrack focusverticaldepth of fieldpremium
What you can change · 5 settings

Everything below can be changed without touching the animation. Hand the list to an agent, or edit the values at the bottom of the component file.

  • Lines *
    lines · array

    The lines, in order. Focus racks from the first to the last, so put the payoff at the end. Two to four lines; four is already a lot for five seconds.

    now: 3 items

  • Eyebrow
    eyebrow · string

    Small tracked label above the block. Stays sharp throughout.

    now: How it works

  • Playhead
    playhead · boolean

    Draw an accent bar that travels down the left edge to the line currently in focus.

    now: true

  • Aperture
    aperture · number

    How shallow the depth of field is. Higher blurs the out-of-focus lines harder, 0.6 reads as a fast portrait lens, 0.25 as a phone camera.

    now: 0.62

  • Brand
    brand · string

    Brand token id, one of the keys of BRANDS.

    now: slate

For developers · source, dependencies and provenance

Dependencies

remotion@remotion/shapeszod

No Tailwind, no CSS, no asset files. Inline styles only.

Source

Filesrc/registry/items/focus-pull-lines.tsx
Frame1080×1920
Duration150f · 5s @ 30fps

Provenance

ToolClaude Code
ModelOpus 5
Authormotionstash
LicenseMIT

Prompt

A vertical text sequence where the camera racks focus down three lines of copy, one at a time. It has to behave like a real lens, not a blur filter: out-of-focus lines should be slightly larger from focus breathing, lower in contrast, and bloom a little past their edges. Move the focus continuously through the lines instead of cutting between them, and mark the live line with a small accent playhead on the left.